Both pieces were crafted, edited, and perfected with an attention to detail that experienced choreographers lose over time.

The winning piece felt like a technical exploration of a concept rather than a fully fleshed, impactful piece. Utterly incomprehensible.

Rami Malek is also much less likeable than I’d hoped for, his Oedipus is far from the tragic hero that I was expecting to root for.

An incredible script is only as good as the actors who perform it. Here, 'The Years' soars, as all five women deliver masterclasses.

This monologue only allows a few moments of true reflection to shine through, but Butterfield does good work with the material he's given.

Rachel Wagstaff’s writing shines in this adaptation that expertly blends theatre with a classic wartime story.

★★★★ | Five Lines  is a celebration of technical craftsmanship, dissolving concepts of what most believe to be a typical ‘theatre’...

If there exists a selection of productions that exemplify the London dance scene's versatility and exceptional quality, it is these six...

John Cranko treats the novel and the opera of 'Onegin' with respect while adapting some elements for the ballet stage.

A format that I love for ballet newcomers is mixed bills, where a company presents multiple works, each between 10 and 30 minutes.