A format that I love for ballet newcomers is mixed bills, where a company presents multiple works, each between 10 and 30 minutes.

This pub theatre debutante is a real knockout that hits the mark in both comedy and depth.

"I thought about how to find a visual representation of what humanoid life would be, and that’s how I decided to dual-role the actors."

Chumisa Dornford-May gives us a Natasha who is equal parts endearing and frustratingly naïve.

Moore’s performance as the close-fisted Scrooge impresses with masterful comic timing and beautifully versatile vocals.

Admittedly, there are some hilarious moments, but the joke gets old fast.

Marber’s great accomplishment is his ability to preserve the essence of a great big Broadway musical in this intimate space.

The stellar performances from everyone in the cast are everything: moving, humorous, and uplifting.

Tom Stoppard's encrypted word games sing of an ingenious thesis on love and its different forms.

The production itself is a gift to the senses, packed to the brim with old-school theatre magic.