Jorvell OngSep 6, 20232 min read‘Don’t Feed the Plants!’: A review of Little Shop of Horrors by KMTSThis production is carried by its talent and charisma to feed the audience’s hungry expectations.
Georgia GibsonAug 31, 20234 min readVibrancy Swept the Stage: Reviewing 'The Odyssey: The Underworld' at the National TheatreVibrant is perhaps the best descriptor for the opening performance of The Odyssey: The Underworld, the play by Chris Bush that marks the...
Georgia GibsonJul 14, 20234 min readThe National Theatre's New Views Winner: 3.2.1 by Kiera GriersonIt is a rare privilege to experience the work of a new generation of talented writers up-close, especially in an age of funding cuts for...
Parvy KangJun 29, 20235 min read'Richard III' by King's Shakespeare Company: ReviewI had the chance to see both nights of King’s Shakespeare Company’s Richard III, and it was awesome. I don’t possess any knowledge about...
Grace MoranJun 10, 20233 min readIn Conversation With: GrimFest, London's Only Horror Theatre FestivalAre you a fan of all things dark and creepy? If yes, the horror theatre festival, GrimFest, is back for its second year and is stronger than
Tori TaylorMay 29, 20233 min readHow Can We 'Queer' Musical Theatre?Musical theatre is a gay space, but not a queer one.
Ariunzaya BatkhuyagApr 9, 20232 min readProceed with Playfulness: Reclaim the Mundane's Office PartyTheatre X Art Collaboration.
Georgia GibsonApr 9, 20233 min readCorporate Costumes: Reclaim the Mundane's Office PartyTheatre X Art Collaboration.
Georgia GibsonApr 4, 20233 min read'Cymbeline' Review: Gripping Shakespearean GoodnessKelln undeniably beats to her own bold directorial drum, but never loses sight of Shakespeare’s rhythm.
Tori TaylorMar 29, 20235 min readMust the Show Go On? Theatre Societies and Mental HealthNow, I want you to put away all your preconceptions about theatre and the people involved with it.