Chumisa Dornford-May gives us a Natasha who is equal parts endearing and frustratingly naïve.

Admittedly, there are some hilarious moments, but the joke gets old fast.

Marber’s great accomplishment is his ability to preserve the essence of a great big Broadway musical in this intimate space.

The stellar performances from everyone in the cast are everything: moving, humorous, and uplifting.

Tom Stoppard's encrypted word games sing of an ingenious thesis on love and its different forms.

The production itself is a gift to the senses, packed to the brim with old-school theatre magic.

These video projections are second to none and unlike anything I have ever seen from the Rep.

The cast must be applauded for breathing life into the best elements of this play.

An emotive and narratively-driven account of a wrongful convict's life story, told with extraordinary candour and humanity. 

This play is a twisted and singular success, with echoes of Antigone's tragedy in its melodrama.