An incredible script is only as good as the actors who perform it. Here, 'The Years' soars, as all five women deliver masterclasses.

Rachel Wagstaff’s writing shines in this adaptation that expertly blends theatre with a classic wartime story.

Chumisa Dornford-May gives us a Natasha who is equal parts endearing and frustratingly naïve.

Admittedly, there are some hilarious moments, but the joke gets old fast.

Marber’s great accomplishment is his ability to preserve the essence of a great big Broadway musical in this intimate space.

The stellar performances from everyone in the cast are everything: moving, humorous, and uplifting.

Tom Stoppard's encrypted word games sing of an ingenious thesis on love and its different forms.

The production itself is a gift to the senses, packed to the brim with old-school theatre magic.

These video projections are second to none and unlike anything I have ever seen from the Rep.

The cast must be applauded for breathing life into the best elements of this play.