“[A Letter to LBJ] calls the audience to question their own nostalgia and lets us look people in the eye while they do so," the duo says.

This show is both a tribute to Sidney Poitier and a provocation to artists in times of political upheaval. Ivanno Jeremiah is impressive.

Graham does a good job adapting the autobiography into a play, expertly introducing the concepts of restorative justice to the audience.

By all accounts, Robyn Orlin appears to be yet another dancer from a long lineage of dancers. “My mother was a dancer, my aunt was a...

Cate Blanchett’s Arkadina upholds equal parts grace and comedy and captures our respect. She wields absolute command over the stage.

Bush delves into the complexity and breadth of experiences that exist within womanhood itself; this is a deeply affective watch.

This show excellently weaves in light-heartedness alongside the more profound, so the NT's added spectacle to abstract it feels unnecessary.

Frecknall tethers us to Blanche’s psyche in an acute way. It is as though the other characters can see the new world while Blanche cannot.

Both pieces were crafted, edited, and perfected with an attention to detail that experienced choreographers lose over time.

An incredible script is only as good as the actors who perform it. Here, 'The Years' soars, as all five women deliver masterclasses.