Artistry and Selfhood at Edinburgh Fringe Festival
There is a tradition on the last night of every Edinburgh Fringe Festival in which anyone brave, stupid, or drunk enough will hike up Arthur
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The Arts and Culture Magazine
LONDON'S
AWARD-WINNING
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MAGAZINE
Tori Taylor
Sep 16, 20234 min read
'Theatre Camp' Review: A Film Worthy Of The Spotlight
In the words of my mother, Theater Camp was “surprisingly good”. Even I, a self-confessed theatre kid, had serious reservations about...
Jorvell Ong
Sep 6, 20232 min read
‘Don’t Feed the Plants!’: A review of Little Shop of Horrors by KMTS
This production is carried by its talent and charisma to feed the audience’s hungry expectations.
Georgia Gibson
Aug 31, 20234 min read
Vibrancy Swept the Stage: Reviewing 'The Odyssey: The Underworld' at the National Theatre
Vibrant is perhaps the best descriptor for the opening performance of The Odyssey: The Underworld, the play by Chris Bush that marks the...
Georgia Gibson
Jul 14, 20234 min read
The National Theatre's New Views Winner: 3.2.1 by Kiera Grierson
It is a rare privilege to experience the work of a new generation of talented writers up-close, especially in an age of funding cuts for...
Parvy Kang
Jun 29, 20235 min read
'Richard III' by King's Shakespeare Company: Review
I had the chance to see both nights of King’s Shakespeare Company’s Richard III, and it was awesome. I don’t possess any knowledge about...
Grace Moran
Jun 10, 20233 min read
In Conversation With: GrimFest, London's Only Horror Theatre Festival
Are you a fan of all things dark and creepy? If yes, the horror theatre festival, GrimFest, is back for its second year and is stronger than
Tori Taylor
May 29, 20233 min read
How Can We 'Queer' Musical Theatre?
Musical theatre is a gay space, but not a queer one.
Georgia Gibson
Apr 9, 20233 min read
Corporate Costumes: Reclaim the Mundane's Office Party
Theatre X Art Collaboration.
Georgia Gibson
Apr 4, 20233 min read
'Cymbeline' Review: Gripping Shakespearean Goodness
Kelln undeniably beats to her own bold directorial drum, but never loses sight of Shakespeare’s rhythm.
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