This show is both a tribute to Sidney Poitier and a provocation to artists in times of political upheaval. Ivanno Jeremiah is impressive.

As a play about Gareth Southgate's drive to redeem himself to his sport and his country, 'Dear England' is a gripping, moving achievement. 

Graham does a good job adapting the autobiography into a play, expertly introducing the concepts of restorative justice to the audience.

Frecknall tethers us to Blanche’s psyche in an acute way. It is as though the other characters can see the new world while Blanche cannot.

An incredible script is only as good as the actors who perform it. Here, 'The Years' soars, as all five women deliver masterclasses.

This is an evocative play about the past, present, and future; one word for Collins and Morte’s performances: brilliant.

"What I am trying to write now is personal. The interest in history came in later," she reveals.